Exhibition "Résidences 365" at Zone Sensible

Exhibition “Résidences 365” at Zone Sensible

First exhibition at 365 space, 2018 ©Anne-Claire Héraud

The Parti Poétique and the NA Project host the exhibition “Résidences 365” on September 21, 2019 at Zone Sensible, the urban farm of Saint-Denis (FR).

“RÉSIDENCES 365” presents the work of guest artists in residence at Zone Sensible in 2019:

Raphaël Dallaporta: visual artist and photographer – Laureate of the [N.A!] Grant – 365, Niepce Prize 2019
Morgane Porcheron: visual artist – Finalist for the [N.A!] Grant – 365
Trapier & Duporté: plastic surgeons – With the support of the Departmental Council of Seine Saint-Denis
Jean-Pierre Sageot: Photographer invited by the Parti Poétique

Collective exhibition within the 365 – Open-air contemporary art space, created in partnership in 2018 with [NA!] Project, the Résidence 365 exhibition is a set of installations of works, some permanent, others in during the process, other living or performative ones and each time related to the research themes of the Poetic Party which are: NATURE – CULTURE – FOOD

Zone Sensible, 2018, ©Jean Pierre Sageot

By putting their gaze, their critical mind and their practices on this place of experimentation of sharing and sensitivity, the proposals of the artists within the framework of their residency complete and enrich the artistic and agricultural landscape of Zone Sensible.

Decompartmentalization of the benchmark “white cube” in contemporary art, transposed into the open air, thought of as a “green cube”, space 365 hosts a production and exhibition gallery in the heart of a one-hectare urban farm at the gates from Paris.

THE ARTISTS

Raphaël Dallaporta has produced a critically acclaimed work for the rigor of its protocols and the relevance of its facilities in which establish unusual connections between history, science, art and technology. Each of his projects, seeking to make visible phenomena, or territories, respectively hidden, or inaccessible are finalized by a monographic publication. After having been a resident at the Académie de France in Rome Villa Medici in 2014-2015, he completed the Chauvet-Pont d´Arc project, the inappropriate, published in 2016, by Xavier Barral editions and exhibited in Kyoto, Japan and at Centquatre-Paris. His works are also in the collections of the National Contemporary Art Fund of the European House of Photography, the Elysée Museum in Lausanne and the New-York Public Library. For all of his accomplishments, he was awarded the Niepce Prize in 2019.

Morgane Porcheron, born in Lyon in 1990, lives in Paris and shares her studio in Montreuil. She trained at the Institut Supérieur des Arts in Toulouse where she obtained her DNAP in 2013, then at the Beaux-Arts in Paris where she obtained her DNSAP in 2016. In her artistic practice, Morgane Porcheron collects elements linked to our surrounding space, then develops an archeology of everyday life. The foundations, its strata, the hidden but essential components of architecture are part of the forms she exploits through sculpture, installation and photography. His artistic universe is linked to the living, the landscape and the construction. In his compositions a double tension: the ambivalence between craftsmanship and manufacture, a back and forth between human intervention in nature and the latter’s consistency in reclaiming its rights.

Trapier & Duporté is an artist duo formed in 2014. They live and work in Paris. Immersive and odoriferous installations, sound performances or light sculptures, their practice, organic, summons all the senses. The duo regularly uses food as a medium and their works oscillate between taste and disgust in a tragicomic tone. The notion of intensity is central in their research and their pieces are figures of it. The duo pay close attention particular to spectators. The feeling of the public is central. The experience is sometimes unpleasant, but the friction ensures the encounter and preserves the non-place. Trapier Duporté’s work begins with a premise: the world is a celebration, and our time is after it. Also, our generation hesitates, between wanting to continue, without really knowing what, and indulging in general fatigue.

attentive to all the struggles engendered by the world of work, by social problems and precariousness, he alternates daily themes with long-term work. Sipa distributed his work on “hot” news between 1995 and 1999, then Jean-Pierre joined the Editing agency in 2001, following the publication of “Vies en urgence”, after six months of immersion in various hospitals in the North from France. In 2005, he reported on the intervention of the SPF in Sri Lanka affected by the tsunami.

Fore more information, please refer to the Parti Poétique’s Facebook event.

THE TABLE AND THE TERRITORY

food, rural and sustainable art projects in Europe

Exhibition “Résidences 365” at Zone Sensible

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